Animated Life Writing
DOI :
https://doi.org/10.17742/IMAGE29691Résumé
Cet article propose que le médium de l'animation enrichisse les récits d'expériences vécues. Malgré sa popularité en tant qu'outil de narration sur les plates-formes vidéo, peu de recherches explorent les impacts de l'animation sur le genre d'écriture de la vie. Lors d'une rencontre avec la production d'animation, j'ai développé un exemple original de ces récits animés que j'appelle « animated life writing ». En appliquant l’approches de création critique, par laquelle j'ai créé une vidéo animée qui accompagne cet article, les avantages et les inconvénients de l'animation sont explorés avec un accent sur l'incarnation dans l'écriture de la vie et la vivacité générée par les dessins animés.
Références
Blair, Jeremy Michael. “Animated Autoethnographies: Stop Motion Animation as a Tool for Self-Inquiry and Personal Evolution.” *Art Education (Reston)*, vol. 67, no. 2, 2014, pp. 6-13. *JSTOR*, [www.jstor.org/stable/24766137](http://www.jstor.org/stable/24766137).
Brosh, Allie. *Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mahem, and Other Things that Happened*. New York, Gallery Books, 2019.
Couser, G. Thomas. “Is There a Body in This Text? Embodiment in Graphic Somatography.” *A/b: Auto/Biography Studies*, vol. 33, no. 2, May 2018, pp. 347-73. *Taylor & Francis Online*, <https://doi.org/10.1080/08989575.2018.1445585>.
DeFalco, Amelia. “Graphic Somatography: Life Writing, Comics, and the Ethics of Care.” *Journal of Medical Humanities*, vol. 37, no. 3, Sept. 2016, pp. 223-40. *Springer Nature,* [[https://doi.org/10.1007/s10912-015-9360-6]{.underline}](https://doi.org/10.1007/s10912-015-9360-6).
Dewsbury, J. D. “Inscribing Thoughts: The Animation of an Adventure.” Cultural Geographies, vol. 21, no. 1, Jan. 2014, pp. 147-52. *Sage Journals*, <https://doi.org/10.1177/1474474012469005>.
Drąg, Wojciech. “Joe Brainard’s *I Remember*, Fragmentary Life Writing and the Resistance to Narrative and Identity.” *Text Matters*, vol. 9, no. 9, Nov. 2019, pp. 223-36. [[https://doi.org/10.18778/2083-2931.09.14]{.underline}](https://doi.org/10.18778/2083-2931.09.14).
Gardner, Jared, and David Herman. “Graphic Narratives and Narrative Theory: Introduction.” *SubStance*, vol. 40, no. 1, Jan. 2011, pp. 3-13. *Project Muse,* [[https://doi.org/10.1353/sub.2011.0007]{.underline}](https://doi.org/10.1353/sub.2011.0007).
Goodbrey, Daniel. *The Impact of Digital Mediation and Hybridisation on the Form of Comics*. University of Hertfordshire, 2017.
Kadar, Marlene. “Coming to Terms: Life Writing—from Genre to Critical Practice.” *Essays on Life Writing: From Genre to Critical Practice*, edited by Marlene Kadar, University of Toronto Press, 1992, pp. 3-16. *JSTOR*, <https://doi.org/10.3138/9781442674615>.
Kress, Gunther, and Theo van Leeuwen. *Reading Images: The Grammar of Visual Design*. 2nd ed., Routledge, 2006.
Manning, Erin. *Relationscapes: Movement, Art, Philosophy*. MIT Press, 2009.
McCloud, Scott. *Understanding Comics*. William Morrow, an imprint of Harper Collins Publishers, 2017.
Quesenberry, Krista, and Susan Merrill Squier. “Life Writing and Graphic Narratives.” *Life Writing*, vol. 13, no. 1, Jan. 2016, pp. 63-85. *Taylor & Francis Online*, [[https://doi.org/10.1080/14484528.2016.1130571]{.underline}](https://doi.org/10.1080/14484528.2016.1130571).
Rallison, James. “Annoying Customers.” YouTube, uploaded by TheOdd1sOut, 11 April 2016, [www.youtube.com/watch?v=2yFCyPX3kT0](http://www.youtube.com/watch?v=2yFCyPX3kT0).
Rallison, James. “Sooubway 4: The Final Sandwich.” *YouTube,* uploaded by TheOdd1sOut, 19 Oct. 2019, [www.youtube.com/watch?v=5rB7zgPlC5M&t](http://www.youtube.com/watch?v=5rB7zgPlC5M&t).
Ricoeur, Paul. “Life in Quest of Narrative.” *On Paul Ricoeur: Narrative and Interpretation*, edited by David Wood, Routledge, 1^st^ ed., 1991, pp. 20-33.
Taberham, Paul. “A General Aesthetics of American Animation Sound Design.” *Animation*, vol. 13, no. 2, July 2018, pp. 131-47. *Sage Journals,* <https://doi.org/10.1177/1746847718782889>.
Vertulfo, Mary. *Animating from the Margins: Women’s Memoir and Auteur Animation as a Method for Radical Storytelling*. University of Oregon, 2018.
Williams, Richard. *The Animator’s Survival Kit*. Expanded ed., Faber and Faber, 2009.
Téléchargements
Publié
Numéro
Rubrique
Licence
© Brandon Petryna 2023
Cette œuvre est sous licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
This work by https://journals.library.ualberta.ca/imaginations is licensed under a Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.
